Stephen Schwartz – Writer of Colors of the Wind is going to review my song as part of a panel.
A little admission, Colors of the Wind was just about sparked the moment when I decided I’d have a crack at creating words to music. I remember how much I liked the imagery of that one song and how I listened to the disc till the plastic melted. (Or it could have been the high humidity in Singapore) That…and Lion King’s soundtrack….which led me on a one way ticket to a lifetime love for world music….and a teenage crush on Hans Zimmer.
There I said it, I have Disney beginnings…
So seeing the man himself and knowing he was going to listen to some creation of mine was a quiet and internally very loud moment of “ohmygodohmygodohmygod” followed by “I’mgonnadieI’mgonnadieI’mgonnadie!!!!!!” which then culminated into “Oh hey! here’s a pillar I’m going to hide behind this beautiful architecture…did I tell you how much I love architecture?!!!”
Of course, I wasn’t really forwarned that part of the listening to the music panel meant that you had to sit a metre from the man himself on stage and that you were going to have to have a very public conversation with the man himself about songwriting.
Stephen was very kind. The song up for review was one called “Disconnected” I had recently had it remastered and mostly always had a very soft spot for it. The tune was mostly liked, he liked the poetry in it, loved the verses (thank u v much) questioned some of the word choices and encouraged some thoughts about the choice of the chorus .
Some which I agreed on but will not change, some which I disagreed on,…and will not change…but it was good to hear where how it sat with his ears and how he’d actually like to hear the song again and some more. That broke my happy metre.
There were other things he brought up about the song that made me rethink some songwriting decisions but mostly, it wasn’t bad and the man was gracious and kind and probably understood that right then, I was squirming like a nematode under a microscope.
More importantly the song survived. I didn’t feel like I needed to destroy it in the end which is also an uber step forward for myself as a songwriter.
It was nice and warm and fluffy to hear that my process of songwriting was somewhat similar to his where he mentions that he first writes the titles to songs, then works out the stories then writes the songs….my newly cerebral songwriting methods salute his very cerebral songwriting methods.
My only regret was that somehow the recording got wrongly sampled by those running the panel, and Stephen got to hear an awful recording where my voice that got pitched up an octave as a result. I only wished he got to hear the better version, but heh…I survived..so did the other songwriters whose vocals got chipmunked by a wrong sample rate. No matter, I sent a ninja his way and who promptly delivered my CD into his hands. Hope he gets a listen.
Sacha Skarbek’s songwriting panel
I enjoyed the panel. Good to see the writer behind many songs I try very hard to hate…but cannot. For an idea he wrote “You’re Beautiful” with James Blunt. Though it got killed to death by overplay in then end, that’s really hardly his fault. I remember liking it before gross repetition killed the love.
Sacha came across as a little bit of a shy performer although it seemed to me that he had a bloody good voice and a rollicking sense of humour. I was enjoying his panel quite a bit…until….he announced that he was working on the soundtrack for Chuck Palahniuk’s Lullaby with Starsailor.
I am Yunyu’s broken heart
I am Yunyu’s seething green serpent of envy
If you slow motion the reading of this sentence, you could probably pin point the exact moment my heart split in two
Because lullaby is one of my favourite horror/comedy story. Read it here.
and I want to write the culling song that features in the tale.
I already hear the culling song in my head…except I promise no one dies, though the effects might be convincing..
and I believe that when it comes to death put to music, I have a little bit of an authoritah on that.
No matter. I’ll get there. I’ll finish the bloody album, get the word out, then badger screen people to use some of my dead people music.
Still it hurts…because I want to write music on Lullaby.
Meanwhile…yoohoo Sacha. Can I write a culling song with you? I’m great at death, I would have loved to speak with you, but post panel, it seems most panel speakers are harder to seek than unicorns. I’m not sure where they go, and I was looking.
So there, Sacha, if you google yourself and find this, I want to write that culling song, I also want to work with you and learn from you. Meanwhile I’m sending the word out on how to bloody hell find you…so I can write THAT culling song.
I has your website
I see your management contacts … and will write to your gate keepers or keymasters.
but I rather write to you. Artist to Artist. Songwriter to songwriter.
Minions, if you know Sacha Skarbek, send on my love, and my need to write the culling song and that I want to work with him.
Minions…you has mission. Find the man.Find Sacha. Find him with your twitter, ask your friends, ask your enemies, send for your psychic pets, post on facebook. send word. Now. Get his email, get his number.
Find Sacha Skarbek.
Fly my pretties…fly.
can you tell I’m obsessed?…with the culling song?